By Joseph Harp Britton
Grounding Heschel's paintings in Husserl, Dilthey, Schiller and Heidegger, the publication explores his phenomenological approach to "penetrating the awareness of the pious individual to be able to understand the divine fact in the back of it." The publication is going directly to ponder the importance of Heschel's technique in view of the theocentric ethics of Gustafson and Hauerwas and the post-modern context mirrored within the works of Levinas, Vattimo, Marion and the novel Orthodoxy movement.
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